
In an unexpected resurgence, Ozzy Osbourne has taken over the U.S. iTunes Top 10 Songs chart, occupying nearly every position with his solo classics and Black Sabbath anthems. This remarkable sweep marks a powerful return to prominence for the rock legend, just days after his passing on July 22, 2025 .
🔥 The Current U.S. iTunes Top 10 (as of July 28, 2025):
- “Mama, I’m Coming Home” – Ozzy Osbourne
- “Crazy Train” – Ozzy Osbourne
- “No More Tears” – Ozzy Osbourne
- “Paranoid” – Black Sabbath (with Ozzy)
- “Iron Man” – Black Sabbath
- “War Pigs” – Black Sabbath
- “Changes” – Black Sabbath
- “Close My Eyes Forever” – Lita Ford & Ozzy Osbourne
- “Shot In the Dark” – Ozzy Osbourne
- “Dreamer” – Ozzy Osbourne or “Ordinary” depending on each chart source .
According to current listings on iTopChart and PopVortex, Ozzy’s presence spans at least nine if not ten positions—only a single non‑Osbourne track (by Alex Warren or HUNTR/X & collaborators) creeps in at #9 or #10, depending on the source .
ItopChart’s snapshot also shows:
- #1 “Mama, I’m Coming Home”
- #2 “Crazy Train”
- #3 “No More Tears”
- #4 “Changes” (Black Sabbath)
- #5 “Paranoid”
- #6 “War Pigs”
- #7 “Dreamer”
- #8 “Iron Man”
- #9 “Ordinary” (Alex Warren)
- #10 “Close My Eyes Forever” (Lita Ford & Ozzy) .
Meanwhile, PopVortex lists Ozzy or Black Sabbath classics in spots 1–8, and “Close My Eyes Forever” at #8 or #9, with only “Golden” (HUNTR/X et al.) breaking Ozzy’s streak at #10 .
📈 Fan Behavior & Chart Dynamics
This dramatic re-emergence of Ozzy’s catalog appears directly tied to the surge in fan engagement after his death on July 22, 2025. As music lovers mourned the legendary “Prince of Darkness,” they turned to his greatest hits—purchasing download versions on iTunes rather than streaming, which is reflected in these sales‑based charts. Over a million fans likely contributed to the major spike in digital purchases of his older work.
The nature of iTunes charts, which are based on actual purchases instead of streams, makes them particularly sensitive to fan‑driven campaigns or posthumous surges in interest. Unlike Billboard Hot 100 or streaming‑based charts, iTunes reflects a direct signal of willingness to pay—often linked to die‑hard fan communities mobilizing around such events .
🕰️ Historical Context & Ozzy’s Legacy
Ozzy Osbourne has long been a pillar of heavy metal, both as the frontman of Black Sabbath and through his solo career. His solo single “Mama, I’m Coming Home” peaked at No. 28 on Billboard’s Hot 100 in 1992, while “Crazy Train” and “No More Tears” have become cultural staples across decades .
Even in early 2025, Ozzy was active on Billboard charts. His track “Gods of Rock n Roll”—a collaborative orchestral re‑recording with Billy Morrison and Steve Stevens—had already entered the top 10 on Billboard’s Mainstream Rock Airplay chart, eventually peaking at No. 10. He also had a re‑entry of “Gods of Rock and Roll” into digital sales charts earlier in the year .
Between Ozzy’s legacy releases and these renewed sales, the current iTunes sweep seems to represent the peak of a focused fan-driven resurgence, repaying decades of influence.
💬 What It Means
- This takeover of the iTunes Top 10 by Ozzy and Black Sabbath underscores the loyalty of metal fans who still engage in paid downloads to support legacy artists.
- While the Billboard Hot 100 and streaming platforms may reflect broader, younger audiences, the iTunes chart reveals the intensity of purchasing behavior following an icon’s passing.
- Historic tracks like “Iron Man,” “Paranoid,” and “War Pigs” remain evergreen, continuing to resonate with listeners new and old alike.
🔚 In Summary
- Ozzy Osbourne currently dominates the U.S. iTunes Top 10 Songs chart, with nearly every slot occupied by him or his Black Sabbath work.
- This phenomenon is fueled by posthumous fan purchases, reflecting direct support and tribute.
- The trend offers deep insight into how legacy artists can re‑enter the charts long after their peak, especially when compounding factors—death, nostalgia, and fan mobilization—coalesce around their catalog.
In today’s chart landscape, few can command such a total takeover—Ozzy Osbourne has proved once again that even in an age of streaming, the power of a classic catalog and a dedicated fanbase remains unmatched.
Reported using iTunes sales‑based rankings as of July 28, 2025, with sources including iTopChart, PopVortex, and detailed fan commentary and analysis.
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